Sunday, April 2, 2023

UPDATE: THE RACE AND THE CHALLENGES TO REBUILD NOTRE DAME CATHEDRAL©

 

In our December 2021 Blog article, we last visited the status of the ongoing reconstruction of Notre Dame Cathedral in Paris following the devastating and destructive fire in April of 2019.

The WGBS Educational Foundation aired on the Public Televsion series "NOVA"  a comprehensive video update in December of 2022 on the reconstruction as it races towards completion in time for the 2024 Summer Olympics in Paris.  

That video is described as follows:

"Following the April, 2019 fire that almost destroyed Paris’s iconic Notre Dame Cathedral, a team of engineers, masons, and timber workers set out on the daunting challenge of restoring France’s historic landmark. The program traces the dramatic human and technical challenges of the project’s first three years, going behind-the-scenes with carpenters shaping lumber for the new roof and spire, stone masons repairing gaping holes in the vault, and artisans who use traditional techniques to restore stained glass windows. A symbol of the nation’s identity and resilience, Notre Dame gradually rises from the ashes, thanks to a restoration project like no other." Chapters 00:00 Introduction 02:10 The Aftermath of the Fire of Notre Dame 05:25 Current Efforts to Rebuild Notre Dame 07:13 Rebuilding the Roof of Notre Dame 14:12 Recreating Notre Dame’s Spire 19:40 The Use of Iron in the Structure of Notre Dame 26:00 Studying Notre Dame’s Stained Glass Windows 33:47 Hazards of Restoring the Burnt Cathedral 36:20 Cleaning the Limestone Vaulting 41:41 Carpentry Practices for Roof Restoration 45:06 Historic Changes to Stained Glass Window 49:47 Racing to Complete Notre Dame Before 2024 © 2022 WGBH Educational Foundation


The link to the above referenced video, which copyrighted by WGBS Educational Foundation, is provided herein solely for educational and informational purposes:   https://www.pbs.org/wgbh/nova/video/rebuilding-notre-dame/


(Primary Sources and Photo credits:  WGBS Educational Foundation;                       https://www.pbs.org/wgbh/nova/video/rebuilding-notre-dame/;  Wandrille de Préville, Wikimedia Commons)

© 2023 Snobby Tours®, Inc. All Rights Reserved.




Monday, December 26, 2022

THE KENNEDY CENTER IN WASHINGTON, D.C. CELEBRATES ITS 50th YEAR, ALBEIT BELATEDLY© - Part 1 of a 2-part Blog article

 

2021 marked the 50th year of the John F. Kennedy Memorial Center for the Performing Arts in Washington, D.C., but the celebration was postponed to 2022 due to the COVID pandemic.

Initially, the idea for a "national cultural center" dates back to 1933 when First Lady Eleanor Roosevelt discussed ideas for the Emergency Relief and Civil Works Administration to create employment for unemployed actors during the Great Depression.  Congress held hearings in 1935 on plans to establish a Cabinet level Department of Science, Art and Literature, and to build a monumental theater and arts building on Capitol Hill near the Supreme Court building, but nothing materialized for more than 15 years thereafter.

Finally, in 1950, the idea for a national theater resurfaced when US Congressman Arthur Lewis Klein of New York introduced a bill to authorize funds to plan and build a cultural center. The bill included provisions that the center would prohibit any discrimination of cast or audience.

In 1955, the Stanford Research Institute was commissioned to select a site and to provide design suggestions for the center.   Between 1955 to 1958, Congress debated the idea amid much controversy, particularly about the location;  however, ultimately a bill was finally passed in Congress in the summer of 1958, and on September 4,  1958 President Dwight D. Eisenhower signed into law the National Cultural Center Act which provided momentum for the project -- marking the first time in history that the US Federal Government assisted in financing a structure dedicated to the performing arts.

From that point in time, the process moved forward.  The first step in the creation of the Kennedy Center was its authorization by the 1958 National Cultural Center Act of Congress, which requires that its programming be sustained through private funds.  Consequently, the Center's financial support has, and continues to, come  from partnerships with both the public and private sectors.

On December 2, 1964, President Lyndon Baines Johnson initiated the groundbreaking ceremony of the new National Cultural Center, which had been renamed for President John F. Kennedy, a strong advocate for the arts prior to his assassination in November of 1963. 


The building was designed by architect Edward Durell Stone.  The preliminary l architectural concept was curved, but was ultimately not used.  The building immediately drew criticism about its location along the Potomac River, and also for cosmetic reasons.  Conversely, at the time time, the Kennedy Center drew high praise for its acoustics, which were designed along with the auditoriums, by Cyrus M. Harris.  A major concern affecting the interior design and acoustics is that a significant number of aircraft fly along the Potomac River and over the Kennedy Center, as they take off and land at the nearby Ronald Reagan Washington National Airport, and also helicopter traffic overhead.  To address and eliminate the noise factor, the Center was designed as a box within a box, which has given each auditorium an extra insulating outer shell.

The total cost of construction was $70 million. Congress allocated $43 million for construction costs, including $23 million as an outright grant and the other $20 million in bonds.   Donations also comprised a significant portion of funding, including $5 million from the Ford Foundation, and approximately $500,000 from the Kennedy family.  Other major donors included J. Willard Marriott, Marjorie Merriweather Post, and John D. Rockefeller III, as well as many corporate donors. Foreign countries also provided gifts to the Kennedy Center, including a gift from the Italian government of 3,700 tons of Carrara marble from Italy worth $1.5 million in 1971, (the equivalent of $10,5 million in 2022), was used in the construction of the building.

The first performance was September 5, 1971, with 2,200 members of the general public in attendance to see a premiere of Leinard Bernstein's "Mass in the Opera House" in the Opera House".  

The Center's official opening took place on the date of its dedication, September 8, 1971, with a formal gala and a performance of the Bernstein "Mass", attended by Rose Kennedy, Senator Edward Kennedy, and other members of the Kennedy family.


In 2013, after the Kennedy Center required expansion, a competition was held, at which time architect Steven Holl was selected to design the project called "The REACH", which project commenced thereafter. over the next six years

in 2019, the campus of the Kennedy Performing Arts Center grew 4.6 acres with the opening of its new REACH area on September 7th.   REACH is the Center’s first expansion since premiering in 1971.  Designed by Steven Holl Architects, the $250- million project roughly doubled the Kennedy Center’s outdoor space, bolstered its public areas by 20%, and added 72,000 square feet of interior space across the three pavilions near the Potomac River.   For more information about REACH, read  Part 2 of this Travelblog article, published in January, 2023.

Today, the Kennedy Center consists of several performing arts venues, ranging in size and utilized for specific purposes.  There are three main theatres -- the Concert Hall, the Opera House and the Eisenhower Theatre -- which allow for seating ranging from approximately 1,100 to 2,500 attendees.  Additionally, there are five smaller venues each seating less than 500 attendees, which have been adapted for use by artists-in-residence and for video screenings, ongoing performances, educational programs, and the Kennedy Center Jazz Club.

CBS Sunday Morning extended belated birthday wishes in a segment which aired on Christmas morning, December 25, 2022.  

The tribute in that segment says it all, and serves as the focus of our December 2022 Blog article herein.  


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Primary Sources:  Meersman, Roger (1980). "The Kennedy Center: From Dream to Reality". Records of the Columbia Historical Society;  dc.curbed.com;  kennedy-center.org)

© 2022 Snobby Tours®, Inc. All Rights Reserved.



Wednesday, November 30, 2022

STATUS OF CONSTRUCTION OF BARACK OBAMA PRESIDENTIAL CENTER©

 

The Barack Obama Presidential Center, currently under construction in Jackson Park on the South side of Chicago, will be a "new take" on the customary Presidential Library.  

The Museum and the Library will be headed by the nonprofit Obama Foundation with the National Archives and Records Administration (NARA) tasked with creating the very first digitized Presidential Library.

Instead of one building housing both a Presidential Museum and an archived hard copy Research Library, the site is designed to be a community gathering place and civic center consisting of a complex of four separate buildings with different functions, situated in a park-like setting.  

Obama Presidential Center
Artist's Rendering

After years of protracted delays due to several factors, including concerns of residents of the surrounding residential area and also increased budgetary considerations leading to an estimated $830-million cost, the groundbreaking ceremony was held on September 28, 2021, and construction began.

On the site will also be a branch of the Chicago Public Library serving the residents of Chicago's South Side, as well as a Community Activity Center.  Landscaping will include walking paths, a long pedestrian promenade connecting the four main buildings, lagoons, and a sledding hill.  It is anticipated that the Plaza area will host public gatherings and be a venue for cultural arts performances and the display of public art projects.

The Museum building, designed by architects Todd Williams and Billie Tsien, embodies the concept of ascension upward from grassroots.  Its form is inspired by the idea of four hands coming together symbolizing the many hands it takes to shape a place.  

At the current time, as construction continues in its second year, the focus is on the casting and building of the perimeter walls of the Museum.

Completion of the entire project is anticipated to be in 2026.


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(Primary Source:  obama.org)

©2022 Snobby Tours®, Inc. All Rights Reserved.



 

Sunday, September 25, 2022

THE RESTORATION OF HISTORIC TEXAS COURTHOUSES -- A WORK IN PROGRESS AND A LABOR OF LOVE©


There are 254 Counties in Texas.  Each boasts with Texas pride that it has the most beautiful, the most iconic, and, perhaps, the most authentically historic, Courthouse -- generally still situated in the center of the oldest part of town, in the middle of a "square" around which communities eventually grew, family-owned commercial businesses meeting the needs of the community were created -- often long-standing and having themselves evolved "with the times" -- saloons provided "libations and "entertainment" for local cowhands and cattle drovers passing through, and residences, schools, a local sheriff's office with a small jail, and houses of worship were built.

. . . . . typical of what we generally think existed in the "Wild West", adjacent to territories not yet States prior to, or through the first decade of, the 20th Century.

To put things into perspective:  Texas' independence from Mexico was won in 1836.  Admission into the United States as the 28th State came in 1845.  Texas seceded from the Union in 1861 less than two months  prior to the beginning of the American Civil War (1861-1865), aka the War Between the States, and became part of the Confederacy.  Texas was re-admitted to the Union in 1870, during the difficult and lengthy recovery period known as "Reconstruction".  1870 also marks the establishing of The Chisholm Trail, the herding of cattle to market from Texas to Kansas which helped to bolster Texas' floundering post-Civil War economy.

Parker County Courthouse
in Weatherford, Texas
Architect:  W. C. Dobson
Architectural Style:  Second (French) Empire 
Originally completed in 1886 
Rededicated in 2002
Therefore, it is part of the "Texas story" that some of its Courthouses date back to the mid-1800s and were among the first permanent structures not made entirely of wood in many of its Counties.  Considering the geographical size of Texas, it is not surprising that Texas has more historic Courthouses than any other US State.  

Among Texas' 254 Counties, 242 of its historic County Courthouses are still actively in government use.  With their brick and stone towers, ornate cupolas, soaring domes and varying styles of 19th and early 20th Century architecture, they represent an impressive and eclectic collection of public buildings. 

The oldest of these Courthouses still in active use is the Cass County Courthouse located in East Texas in Linden, Texas (pop. 1,825), approximately 45 miles southwest of Texarkana, Texas.  It is also the only Antebellum courthouse in Texas, its construction having commenced in 1859 prior to the American Civil War, and completed in 1861.  By 2022, it had been continuously in use for 161 years.

Cass County Courthouse in Linden, Texas
Builders:  L.W. Lissenbee and J.T. Veal
Architectural Styles:  Greek Revival
with Federalist design elements
Originally completed in 1861
Rededicated in 2012


With over a century of use in many instances, most of Texas' County Courthouses had significantly deteriorated due to inadequate maintenance, design modifications in subsequent years which were incompatible with the original architectural style, and/or weather-related damage.

Because Texas courthouses are among the most widely recognized, used and appreciated assets which are the centerpieces of their  communities, the Texas Historical Commission instituted in 1999 what has become its nationally-recognized and award-winning Texas Historic Courthouse Preservation Program (THCPP) which has turned around the trend of disrepair and begun restoring these treasured historic landmarks.

While some of the Courthouses have required structural repair due to damage from weather-related issues such as hurricanes, the most frequent repair work has been to cement or ceramic tile floors, the roofs, often very elaborate masonry, the electrical and plumbing systems, wood furniture, staircases and furnishings, and the installation of central heating/air conditioning.  Effort has also been made to restore the original colours and decorative design elements used for both interiors and exteriors.  In some instances, there has been removal of additions made during the intervening years which have negated the integrity of the original architectural design.  Also, the Courthouses, being governmental buildings used by the public, can require Americans with Disabilities Act (ADA)-compliant retrofitting.

To date, the THCPP has funded 74 Texas County Courthouse restorations.  An additional 29 County Courthouses have undertaken emergency or planning work with grant funds.  Further, 25 grants have been awarded for the purpose of updating approved preservation Master Plans. 

As of the date of publication of his Blog article, 74 Texas County Courthouses of varying architectural styles have been successfully restored and rededicated since 2002 through the Texas Historic Courthouse Preservation Program.  

Herein below are photographs of several more of the 74 restored, re-dedicated Texas County Courthouses -- these being originally completed between 1886 and 1932, representing a sampling of the architectural styles popular at the time they were designed and constructed, from Victorian Gothic Revival to Art Deco, and including the architectural provenance of each.

Potter County Courthouse
in Amarillo, Texas
Architects:  Townes, Lightfoot & Funk
Architectural Style:  Art Deco
Originally completed in 1932
Re-dedicated in 2012



Williamson County Courthouse
in Georgetown, Texas
Architect:  Charles H. Page
Architectural Style:  Neo-Classical Beaux Arts
Originally completed in 1912
Re-dedicated in 2007


Harrison County Courthouse
in Marshall, Texas
Architect:  J. Riely Gordon
Architectural Style:  Neo-Classical Beaux Arts
Originally completed in 1901
Re-dedicated in 2009



Lamar County Courthouse
in Paris, Texas
Architects:  Sanguinet and Staats
Architectural Styles:  Classical Revival
combined with Romanesque design elements
Originally completed in 1917
Re-dedicated in 2005


Goliad County Courthouse
in Goliad, Texas
Architect:  Henry E. M. Guidon
Architectural Style: Second (Franch) Empire
Originally completed in 1894
Rededicated in 2003


Ellis County Courthouse
in Waxahachie, Texas
Architect:  J. Riely Gordon
Architectural Style:  Romanesque Revival
with Italian hand-crafted stone masonry
Originally completed in 1897
Re-dedicated in 2002


Denton County Courthouse
in Denton, Texas
Architect:  W. C. Dodson
Architectural Style:  Blended Romanesque
and Second (French) Empire
Originally completed in 1896
Re-dedicated in 2004
 


Dallas County Courthouse
in Dallas, Texas
Architect: Max J. Orlopp,Jr./Orlopp & Kusener
Architectural Style:  Richardson Romanesque
Affectionately called "Old Red"
Originally completed in 1892
Rededicated in 2007.


Bosque County Courthouse
in Meridian, Texas
Architect:  J. J. Kane
Architectural style: Victorian Gothic Revival
with Italianate design elements
Originally completed in 1886
Re-dedicated in 2007


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(Primary and Photographic Sources: The Texas Historical Commission/Photos by Wayne Wendel;  Texarkana Gazette) 

© 2022 Snobby Tours®, Inc. All Rights Reserved.




Saturday, August 27, 2022

THE NEW ACADEMY MUSEUM OF MOTION PICTURES IN LOS ANGELES, CALIFORNIA: DEDICATED TO FILMS AND FILMMAKING©


The Academy Museum of Motion Pictures (AMMP) officially opened to the public on September 30, 2021, after decades "in the making" throughout the history of moving pictures -- known in their earliest days over 100 years ago as "the flickers".

A press release issued prior to the Museum's completion stated that "[t]he building's design is inspired by the museum's mission to turn the dream factory inside out and give visitors unprecedented opportunities to peer behind the screen and into the creative, collaborative world of moviemaking". 

Interestingly, the 7-story part of the Museum is not a new building, but instead is a remodeling and repurposing of the building once occupied by one of Los Angeles' leading department stores, The May Company.  

Heralded upon its completion in 1939 as the western gateway to the area along Wilshire Boulevard from Fairfax Avenue eastward to La Brea Boulevard, known as the "Miracle Mile", the May Company building was, and still is, often referred to as Los Angeles' grandest example of Streamline Moderne architecture.

The curved Streamline Moderne golden architectural feature on the southwest corner of the building -- seen in the photo herein above -- which faces the intersection of Wilshire Boulevard and Fairfax Avenue at an angle, has always been evocative to many residents, including myself, of a fancy lipstick case sold in the May Company's cosmetics department for decades.

May Company Department Store, circa 1940s

Over the years, however, rain, pollution, and ground movement caused by various earthquakes prevalent in the Los Angeles area resulted in extensive cracks in the building's granite and limestone.   By 1992 -- the year that the May Company building was named a Los Angeles Historical Cultural Monument --  many of the immediately recognizable, iconic features of the building had become damaged or severely deteriorated.

In 1994, after having been vacant for the previous two years, the May Company building was acquired by the Los Angeles County Museum of Art (LACMA), located one block to the east, for use as additional exhibition space called "LACMA West".  The May Company's display windows along Wilshire Boulevard were used for huge posters promoting LACMA's current and upcoming special exhibits.

Adaptive Use of the May Company Building
 as LACMA West, circa 2000

The building remained LACMA West for the next 20 years until 2014, when the Academy Museum of Motion Pictures signed a lease costing $36.1-million for the next 55-years for both the May Company building as well as its adjacent parking lot to be developed into museum and theatre space.  The May Company Building was renamed the Saban Building in recognition of philanthropist Cheryl Saban and entertainment executive Haim Saban's $50-million donation to the Academy Museum in 2017.


DESIGN

The Academy Museum hired Pritzker Prize-winning and world-renowned Italian architect Renzo Piano, who has also designed the Piano Pavilion at the Kimbell Art Museum in Ft. Worth, Texas, the new Whitney Museum of American Art in New York City, the Auditorium of the Parco della Musica in Rome, Italy, and Los Angeles County Museum of Art's Broad Contemporary Art Museum at LACMA and the Resnick Exhibition Pavilion  -- the latter two structures which coincidentally happen to be located on Wilshire Boulevard just one short block east from the Academy Museum of Motion Pictures, as can be seen in the photograph below.

Piano was also commissioned to design an adjoining building connected by a glass-enclosed skywalk, now called the "Sphere", a domed structure visible along Fairfax Avenue behind the Saban Building.  The Sphere houses the two screening theatres, the Geffen Theatre and the Mann Theatre, and is topped by a terrace under a curving glass roof.




REPAIR, RESTORATION AND REPURPOSING PROCESS

In February of 2015, the Academy of Motion Picture Arts and Sciences hired international experts from John Fidler Preservation Technology to develop and implement conservation protocols not only for rehabilitating the exterior cladding of the May Company Building for repurposing and new adaptive use as the Academy Museum of Motion Pictures, but also to ensure that the building retained its distinctive Art Deco architecture, its Streamline Moderne design elements, and its historical significance.

The entire renovation and adaptive use process would ultimately cost approximately  $480-million.


The original seven floors of the May Company building now house the Academy Museum’s exhibition spaces, education and special event spaces, a conservation studio, a café, and a museum store.



In addition, the Museum’s 1,000-seat David Geffen Theater and 288-seat Ted Mann Theater, both located inside the Sphere, each present a year-round calendar of screenings, film series, member programs, panel discussions, family programs, and symposia.

David Geffen Theatre

Ted Mann Theatre

With the opening of the Academy Museum of Motion Pictures, another world-class museum joins the nearby Los Angeles Museum of Art and the Petersen Automotive Museum in this area along Wilshire Boulevard known for decades as  the Miracle Mile, but which now more accurately might be called the "Museum Mile".  

Side view of the completed AMMP along Fairfax Avenue, 
including a view at the extreme right of this photo
of the front and side of the Petersen Automotive Museum 
located across the street from the AMMP on Wilshire Boulevard.


AUTHOR'S NOTE:  The new Academy Museum of Motion Pictures, along with the Los Angeles Museum of Art and the Petersen Automotive Museum, are included in our "Los Angeles Architecture -- An Eclectic Landscape"©  custom-designed heritage and cultural escorted group tour Itinerary.  For more information about this unique and comprehensive heritage and cultural group tour covering L.A.'s architectural history from "early settlement to the present", visit us at  http://www.snobbytours.com/EclecticLAarchitecture.html 


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(Primary and Photographic Sources:  academymuseum.org;  oscars.org;  dezeen.com;  structureanddesignzim.com;  Fisher Marantz Stone; Los Angeles Times; Variety  discoverlosangeles.com;  interiordesign.net;  thewrap.com;  Los Angeles Magazine;  archpaper.com; architecturalrecord.com;  Architectural Digest;  objectsmag.it; The Post Internazionale)

© 2022 Snobby Tours®, Inc. All Rights Reserved.




Friday, July 29, 2022

THE STORY BEHIND THE EMPIRE STATE BUILDING: THE USA'S MOST VISITED HISTORICAL SITE©


In 2022, the Empire State Building in New York City became the #1 attraction for US travelers, and #3 attraction in the world overall, according to the coveted Travelers Choice® Awards.  It is perhaps the world's most famous building.

The building's iconic Art Deco architecture, in addition to its height, is immediately recognizable in the skyline of New York City, but since the building's history is lesser known, we will delve into that history here.


BACKSTORY

In 1928, the location were the Empire State Building now stands on Fifth Avenue was occupied by the original Waldorf Astoria Hotel, a carry-over from New York City's late 19th Century "Gilded Age".  

The Waldorf Astoria Hotel's original building from 1893 was demolished in 1929 to make way for the Empire State Building following the sale of the property to Bethlehem Engineering Corporation for approximately $20-million in 1928 -- the equivalent of approximately $323-million in 2022.  

In 1929, former General Motors executive John Jakob Raskob, along with NYC movers-and-shakers Coleman and Pierre S. du Pont, Louis G. Kaufman and Ellis P. Earle formed the underlying corporation, Empire State, Inc., and appointed Alfred E. Smith, former Governor of New York, as its Chief Executive Officer.

Designed by the architectural firm of Shreve, Lamb & Harmon Associates and with the building process under the direction of Starrett Bros. & Eken, the Empire State Building would be the first 100+ story building in the world.  Its exterior and interior Art Deco architectural and design elements are generally associated with the 1920s at the height of that style's popularity.

Today, the Empire State Building stands at 1,454-feet tall, inclusive of its tower and its broadcasting antenna, and has been named one of the Seven Wonders of the Modern World by the American Society of Civil Engineers.  It remained the world's tallest building in New York City until 1970 when its height was surpassed by the World Trade Center.


CONSTRUCTION

The construction of the Empire State Building was part of a competition in New York City with 40 Wall Street and the Chrysler Building for the “world’s tallest building” .  

It surpassed both.

Excavation of the site began on January 22, 1930.   Actual  construction of what at that time was called "the world's most ambitious building project" commenced on St. Patrick's Day, March 17, 1930, during the height of the worse economic Depression in USA history.  

Although the project put men back to work, those who laboured on the steel beams hundreds of feet above the City, were constantly at great risk to life and limb.  The project involved 3,400 workers, mostly European immigrants, as well as hundreds of Mohawk iron workers. Despite an astonishing lack of safety regulations, only 5 workers died during construction.

The steel frame literally grew before the eyes of New Yorkers at the astonishing rate of 4-1/2 stories per week, ultimately "topping off" at 102-stories after a record-breaking 13 months and 15 days -- completed on April 11, 1931, almost 2 weeks ahead of schedule.  

It was the talk of the town.  When President Herbert Hoover pressed a button in Washington, D.C. on May 1, 1931 officially opening the building, the lights on the Empire State Building were turned on for the very first time. 


WORLD-WIDE ATTENTION

Being the world's tallest building, the Empire State Building quickly became a well-known attraction for both locals and tourists from around the world who flocked to it, paying their hard-earned 10-cents just to peer through one of its telescopes at the sprawling New York City urban landscape below.  During one 6-month period in 1931, the building collected more than $3,000 in nickles and dimes -- the equivalent of approximately $57,000 in 2022.

The film industry permanently immortalized the Empire State Building by making it the focal point of one of cinema's most famous films, "King Kong", which debuted on March 2, 1933. This film would become the first of many memorable and pivotal  "roles" that the building would play in the movies, firmly establishing it as both an important location integral to a movie's story, as well as an enduring icon of pop culture.



PRACTICAL USES

Corporate Headquarters

By 1948, just 17 years after its celebrated opening, the Empire State Building had become one of the world's most profitable buildings, and one of the world's most recognizable and loved architectural structures.  

It was the headquarters for several major USA and international corporations, and a number of nonprofit charitable organizations, with a combined total of approximately 15,000 people employed there walking through its 5th Avenue Lobby every day.  Visitors used a separate entrance on West 34th Street solely accessible by elevator to the Observatories for almost 90 years, until 2018.

Among the residents of the Empire State Building over the years have been the YWCA of the USA, The King's College, The National Film Board of Canada, Federal Deposit of Insurance Company (FDIC), Linkedin, and various international airlines.

Radio and TV Broadcasting

Broadcasting began at the Empire State Building on December 22, 1931, when NBC and RCA  began transmitting experimental television broadcasts from a small antenna erected atop the building's mast, with two separate transmitters for the visual and audio data. They leased the 85th floor and built a laboratory there.

In 1934, RCA entered into a cooperative venture to test an FM system from the building's antenna. This ultimately resulted in the installation of the world's first FM radio transmitter which commenced transmitting from the antenna in 1940.  After some time, the 85th floor became home to RCA's New York television operations as well, initially as an experimental station.  Commencing in 1941, the station evolved into a commercial station which eventual became WNBC Channel 4.  NBC retained exclusive use of the top of the building until 1950 when the Federal Communications Commission (FCC) ordered the exclusive deal be terminated so that other television broadcasters and sister FM stations could broadcast from the a single dedicated broadcast tower that was completed in 1951. Other television broadcasters gradually joined RCA in the Empire State Building on the 81st through 83rd floors, resulting in six broadcasters agreeing to pay a combined $600,000 per year for the use of the antenna.  A new 222-foot, 60-ton  broadcast tower was completed in 1953.


ACCOLADES AND MILESTONES DURING THE FIRST 50 YEARS

The 1950s also saw the American Society of Civil Engineers select the Empire State Building as one of the seven greatest engineering achievements in America’s history, ranking it alongside the Hoover Dam and the Panama Canal.

In 1956,  as a symbol of welcome and freedom to visitors, four large beacon lights are installed at the foot of the building's tower. These beacons, which could be seen across the city, were known as “The Freedom Lights".

In 1961, Lawrence A. Wien, Peter L. Malkin, and Harry B. Helmsley purchased the Empire State Building for $65-million (the equivalent of approximately $557-million today). The price, which did not include the land, was the highest ever paid for a single building anywhere up to that point in time.

In 1976, The Empire State Building Observatory received its 50 millionth visitor -- marking the beginning of its drawing millions of visitors from all over the world each year thereafter.



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Primary and Photographic Sources: Empire State Building Archives; historycollection.com 

© 2022 Snobby Tours®, Inc. All Rights Reserved.